Introduction

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Sarah and David: The Sequel

As Time Goes By (TV, 1992-2005) [TV-PG] *****

Late in 1952, Lionel Hardcastle (Geoffrey Palmer) a young second lieutenant in training with the Middlesex Regiment meets nineteen-year-old nurse Jean Pargetter (Judi Dench). They spend three months together during which they fall in love, and then Lionel is posted to Korea. He writes to Jean immediately:

1st Battalion
The Middlesex Regiment
BFPO3
February 10th ‘53

My Darling Jean
England seems so far away
and I miss you terribly. This is
the first chance I have had to
send you my address here in
Korea.
Do write back straight away
my darling…

However, Lionel doesn’t receive a reply and he incorrectly assumes Jean wants to forget him. She never receives his letter and incorrectly assumes he wants to forget her. And so he never writes another letter to her and she never tries to find his address in Korea.

Thirty-eight years pass. Jean marries, has a daughter Judith (Moira Brooker), her husband passes away, and she opens a secretarial service Type For You. Lionel meanwhile has gone to Kenya and started a coffee plantation, married and divorced, sold the plantation and moved back to London.

He has written an autobiography about his years in Kenya, titled My Life in Kenya, however his publisher Alistair Deacon (Philip Bretherton) wants him to make some edits, so he contacts Jean’s secretarial service, and Judith, who works for her mother, becomes his secretary. He invites her out for dinner, goes to Jean’s Holland Park row house, where Judith lives with her mother, and meets Jean. They don’t recognize each other immediately but each one suspects who the other one is, and later, when they meet again in the lobby of Lionel’s hotel, it becomes clear, and they realize how young and proud and stupid they were, so long ago, when they each let the other one go.

Their story is a poignant, slightly bittersweet romantic comedy-drama about two former lovers who reunite after thirty-eight years, and try to determine if they can recapture their youthful passion and exuberance, or if it is too late. They understand that they have been given a second chance, but it is a new relationship they must create, based on their nearly forty years of life experience apart, and their bittersweet regrets of the years they missed. Their story echoes the wish many of us have later in life, that we could go back and experience again the passion and possessiveness of those first weeks and months of a love affair.

The cast is uniformly excellent, and the writing has the perfect blend of the comedy that finds itself in a variety of domestic and work-related situations, and the drama that accompanies the search for love, not only for Jean and Lionel, but for her daughter Judith, for his publisher Alistair, and for Sandy (Jenny Funnell) who begins as a young employee at the secretarial service and becomes a live-in member of the Pargetter-Hardcastle family, and, really, a second daughter to Jean and Lionel.

Labels: comedy, drama, romance, rom-com-faves
IMDb 83/100 
RottenTomatoes Averages (critics=tbd, viewers=tbd) 
DVD 
britbox 

The Last Rifleman (2024) [PG13] ****

A film review by Brian Orndorf for blu-ray.com on Nov. 6, 2024.

The Last Rifleman shares the same story as 2023’s The Great Escaper. In that picture, Michael Caine portrayed an elderly World War II veteran sneaking out of senior home captivity to participate in a ceremony recognizing the 70th anniversary of D-Day. The new film puts Pierce Brosnan in the role, handling old age makeup and general physical stiffness to portray the determined man, who’s bringing plenty of emotional baggage with him on the journey. The tales aren’t completely identical, but there’s enough similarity to inspect, yet The Last Rifleman is the more poignant endeavor, offering less time with travel experiences and more moments of guilt and pain hitting the main character as he embarks on an ambitious quest to reach France on his own.

Artie (Pierce Brosnan) is a 92-year-old man living in a senior care center, trying to remain attentive to his wife, Maggie (Stella McCusker), who’s fighting dementia. When Maggie passes away, Artie faces a host of memories, including time with his wife and Charlie, a dear friend from long ago. Discovering special letters in Maggie’s belongings, Artie decides to participate in an upcoming D-Day memorial service, requiring some quick thinking to get past the staff. Now out in the open world, Artie has to find his way to France, embarking on a series of travel adventures where he meets various people looking to help the military veteran reach his final destination. Juliette (Clemence Poesy) is part of this support chain, as the French mother is also dealing with troubles, responding to the older man’s quest to confront his past.

Artie can’t escape the horrors of war. It invades his dreams, returning to a time of confusion and tremendous fear in the British Army, surrounded by elements of violence as a new soldier. He’s no longer a young man, snapped back to his reality as a senior citizen facing an extensive list of medical needs, including management of his diabetes. Artie tries to be there for Maggie, comforting his wife of 68 years, but she remains in a fog, calling for Charlie when her husband hopes to reach some part of her mind. Maggie’s death inspires Artie’s actions in The Last Rifleman, left on his own to face issues rooted in his past, using the D-Day gathering to confront mistakes that aren’t immediately understood in the screenplay by Kevin Fitzpatrick. In fact, it takes a long time to reach a confrontation, with most of The Last Rifleman devoted to the journey to Normandy.

Travel isn’t easy for Artie, who’s frail but determined to reach his destination. Setbacks are common, as the character manages time on a train, a bus, and a truck, gradually making his way into France. The Last Rifleman details interactions along the way, including a young man who bonds with Artie over a shared love for composer Ennio Morricone. A truck driver is attentive to Artie’s diabetic behavior, and a longer stretch of screen time is devoted to Juliette, a Frenchwoman traveling home with her children. She helps Artie get past an expired passport and enter France, and the pair use their day together for confessional purposes, as the mother is processing medical issues. The Last Rifleman also explores life at the senior care center, where resident Tom (Ian McElhinney) contacts journalist Tony (Desmond Eastwood), informing the writer about Artie’s amazing mission, which soon becomes news across the country.

The Great Escaper was interested in comedic experiences. The Last Rifleman remains a softer, melancholy film, following Artie as he gets closer to the source of his anguish, also meeting an American soldier (the late John Amos, in his final role) who puts their shared service into perspective. There are more encounters to come for Artie, who eventually hitches a ride alongside ex-Nazis also trying to find sense in the war, making the philosophical line, living with ghosts, the dominant mood of the picture. The feature isn’t a tear-jerker, but something deeper when handling the true costs of combat and the stain of horrible mistakes. Brosnan gives a fine performance to help director Terry Loane, playing the strain of aging and the slow leak of communication as Artie starts to discuss his past with others. It’s the best work he’s done in some time, getting The Last Rifleman to a place of mournful reflection befitting an unusual (and partially true) story of closure. [Orndorfer's rating: 3.5 out of 5 stars]


Labels: drama, war, WWII 
IMDb 66/100 
MetaScore (critics=tbd, viewers=tbd) 
RottenTomatoes Averages (critics=62, viewers=86) 
Brian Orndorfer review