Somewhere
in Central Europe Princess Beatrix (Jessie
Royce Landis) and her only daughter, Princess Alexandra (Grace Kelly), know their days of
enjoying the royal life are numbered unless Alexandra captures the heart of her
distant cousin Crown Prince Albert (Alec
Guinness) who is about to pay a surprise four-day visit to their palace.
When it becomes clear there is no romantic chemistry between Albert and Alexandra,
Beatrix decides to create some by having Alexandra invite the
family’s tutor, Professor Nicholas Agi (Louis
Jourdan) to the ball being given in honor of Prince Albert. What nobody knows,
however is that Nicholas is already in love with Alexandra. (Note the names –
reminiscent of Nicholas II of Russia and his wife Alexandra.)
Alexandra
is young enough and sheltered enough that she’s never seen the face of a man
who’s in love with her, so understandably she falls in love with Nicholas. By
this time, however, Beatrix’ little plot has been revealed to all, and the
humiliated Nicholas has only one course of action - to leave the palace.
Alexandra is prepared to give up her royal life and her chance to be queen, and
leave with him. She has already packed her bags, but when she goes to Nicholas’
quarters and declares her love for him, he rejects her, leaving her no recourse
but to accept Albert’s hand.
In the
final scene, Albert reminds Alexandra that her father had called her his ‘swan’,
meaning a lovely, white bird gracefully gliding across the water alone, far
away from shore. But Albert also notes that if the swan should attempt to walk
on land, her ungainly waddling would soon bring ridicule. So she must remain on
the water, serene and alone.
This
project was developed as MGM’s attempt to cash in on Grace Kelly’s impending
royal marriage to Prince Rainier of Monaco. In going deep into its catalog, the
studio came up with this relic from the bygone silent era. It’s undeniable that
this film was outdated in the mid-fifties. These kinds of movies were, for the
most part, typical of 1930s and 1940s Hollywood, not an era in which Elvis Presley
was swiveling his hips, and the space race had begun in earnest. At the very
least, this movie would seem to have been more suited to the light-musical
treatment rather than the uneasy mix of comedy and drama with which the
audience is presented.
The movie
starts promisingly with the accent on comedy for the first 45 minutes or so.
Alec Guinness makes Prince Albert a highly likeable character initially,
although his character becomes darker, and his motives
questionable, as the film progresses. Unfortunately, both Grace Kelly’s and Louis Jourdan’s characters
are only two-dimensional, like cardboard cutouts, and they quickly become boring as the more dramatic
aspects of the plot take over and the film begins to drag. The non-Hollywood
ending, in which the handsome boy does NOT get the beautiful girl, is
refreshingly original albeit somewhat downbeat for the post-WWII era and the
genre.
Labels:
comedy, drama, romance
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