A film
review by Steven Rea, Philadelphia Inquirer Movie Critic, May 25, 2013.
Susanne Bier, the Danish director who emerged
from Lars von Trier’s militantly minimalist Dogma school, is hardly known for
her romantic comedies. Damaged war veterans, paralyzed accident victims, dark
family secrets… not exactly a laugh riot.
And so,
while Love Is All You Need has a certain feel-good Hollywood
vibe (if the English-language remake isn’t in development as we speak, then I’ll
eat my muesli right now), it also has breast cancer and betrayal and
not-gladly-suffered fools going for it, too.
The
movie stars the quite wonderful Trine
Dyrholm as Ida, a beautician recovering from chemotherapy and a mastectomy
- and from finding her husband Leif (Kim
Bodnia) intimately engaged with a ditsy young blond named Tilde (Christiane Schaumburg-Müller). Astrid (Molly Blixt Egelind), the daughter of
Ida and her philandering spouse, is about to be married, and so it’s off to an
overgrown but idyllic estate on the Italian coast. The place belongs to the
father of Astrid’s fiancé, Patrick (Sebastian
Jessen). Philip, the father, lives and works in Denmark, he is English, and
he is played by Pierce Brosnan. A
widower, and a workaholic, he barks orders at his staff and takes his cell
phone with him everywhere he goes.
Need I
say more? Ida, still reeling from her cancer and her lout of a husband, and
Philip, who has closed his life off to the possibility of love, meet-cute in
the airport parking lot (a fender bender), and then find themselves sharing an
airplane and then walking along the beach and strolling through lemon trees,
bickering at first and then not bickering at all.
Brosnan
is good, and he and Dyrholm erase any and all signs of contrivance in the script.
Their characters’ respective offspring have their own issues to deal with as
the wedding day approaches, and, yes, Ida’s husband is there, oblivious to the embarrassment
he’s caused by bringing his bimbo lover along on the trip.
The
original Danish title of Love Is All You Need translates as The
Bald Hairdresser. That’s less cute and clichéd, and more intriguing,
perhaps. But Love Is All You Need works fine. Bier and her two
leads make you want to believe it’s true.
Labels:
comedy, drama, romance, wedding
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