A film review by Derek Winnert.
Director Mervyn LeRoy’s 1940 vintage black and white MGM romance Waterloo Bridge is a sweet, tear-jerking winner, although it cries out for Technicolor when Joseph Ruttenberg shoots it in black and white. Though Vivien Leigh wanted Laurence Olivier and not Robert Taylor as her co-star (It’s a typical piece of miscasting… I am afraid it will be a dreary job), she later stated this was the favorite of her films. So did Taylor.
Universal Pictures had hired James Whale to film the controversial material about a woman forced into prostitution in WWI in 1931 as Waterloo Bridge, starring Mae Clarke and Douglass Montgomery, but were unable to re-release the movie after the US Production Code was enforced in July 1934.
But in 1939 the MGM studio bought the rights to the 1930 Robert E Sherwood play from Universal and a year later, in 1940, MGM remakes the story as a partly updated, topical one, with a carefully smoothed-out plot about a London ballet dancer and the English upper-crust officer who is smitten with her after meeting by chance on Waterloo Bridge during an air raid.
The movie unfolds in an extended flashback narration as the officer revisits Waterloo Bridge in WWII London on his way to fight to France and recalls himself as a young man in WWI and meeting Myra, whom he had planned to marry.
Vivien Leigh (in her follow-up to 1939’s Gone with the Wind) is appealingly sweet and vulnerable as Myra Lester, the young woman who is fired from her corps de ballet job as a ballerina and falls into street-walking prostitution, believing her fiancé to be dead. However, Robert Taylor (unable to conceal his American accent) is less impressive, merely handsome and dashing as the officer, Roy Cronin.
The material is just as soppy and outmoded as before, but the plush, sumptuous MGM production and Leigh are extremely attractive and beguiling. And the piece is sleekly crafted by director LeRoy and producer Sidney Franklin and their team, helping to make it a big hit in its day, taking nearly $3 million (it cost $1,164,000). Today’s audiences may view it more skeptically, but it is still a classic of its kind.
Also in the cast are Lucile Watson, Virginia Field, Maria Ouspenskaya, C Aubrey Smith, Steffi Duna, Janet Shaw, Janet Waldo, Virginia Carroll, Leda Nicova, Florence Baker, Margery Manning, Frances MacInerney, Eleanor Stewart, Jimmy Aubrey.
Waterloo Bridge was Oscar nominated for Best Music and Best Cinematography. It is probably the first Hollywood film to have WWII in its story. The screenplay is by S N Behrman, Hans Rameau and George Froeschel, and the music score is by Herbert Stothart.
A third film version of Sherwood’s play, Gaby, followed in 1956, with Leslie Caron and John Kerr.
Blogger's comment: I found the story a little less appealing knowing Myra had become a prostitute after having lost her position with the corps de ballet, because she had chosen love rather than duty and had missed a ballet performance. Also, she could have reached out to Roy's mother, who had tried to befriend her, but did not. Finally, the British military uniforms were not authentic at all.
While Waterloo Bridge may have been the first WWII romantic drama, there have been countless others. Two that come to mind, and links to their blog reviews are:
The Very Thought of You (1944) Eleanor Parker, Dennis Morgan
Every Time We Say Goodbye (1986) Tom Hanks, Cristina Marsillach
Labels: drama, romance, WWII, tragedy
IMDb 77/100
MetaScore (critics=73, viewers=72)
RottenTomatoes Averages (critics=83, viewers=82)
Blu-ray
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