A
film review by James Berardinelli for ReelViews.net
If
one was to apply loose definitions, The
Lucky Ones could be considered a war
movie. In reality, however, this is less about how the characters react
under fire than how they react when removed from it. The Lucky Ones is a road movie and, in the tradition of the genre,
it follows a small group of protagonists on a journey from Point A to Point B.
Along the way, they encounter difficulties, meet colorful individuals, and find out a few things about themselves.
There are times when the framework appears creaky and unwieldy, especially
considering the story that director Neil
Burger wants to tell, and events near the end of the movie take contrivance
to the point of absurdity. However, the characters are likeable and
well-developed, and this goes a long way toward mitigating problems that exist
in tone and plotting.
Cheaver
(Tim Robbins), Colee (Rachel McAdams), and TK (Michael Peña) are on their way home
from serving in Iraq. All have suffered injuries. Cheaver's back required
surgery, Colee was shot in the leg, and TK was hit in the groin by shrapnel.
For Cheaver, this marks the end of his four-year enlistment in the army. He's
looking forward to returning to a quiet life as a civilian. For Colee and TK,
it's a 30-day leave before they return to active duty. They meet on a plane to
New York, and end up carpooling when their outbound flights from JFK are
indefinitely delayed due to a city-wide blackout. Their ultimate goal: Las
Vegas. Colee is headed there to return her dead boyfriend's guitar to his family.
TK is hoping to visit a high priced
specialist who may be able to cure the impotence resulting from his wound.
And Cheaver needs $20,000 so his son can attend Stanford - casino tables
beckon.
As
with all road trip movies, this one is constructed as a series of vignettes,
some of which are more compelling than others. These include a car accident, a
visit to a church, a barroom brawl, an encounter with a tornado (complete with
unconvincing special effects), and a kinky encounter for Cheaver that he's not
broad-minded enough to accept. As is common with films of this genre, what
happens at the destination is less interesting than the little detours and
side-trips that occur along the way. The weakest aspect of The Lucky Ones is by far the conclusion, which is flat and
contrived.
Although
Burger isn't working with the strongest storyline, his handling of the
characters is effective. Cheaver, Colee, and TK are nicely developed as
individuals and the camaraderie between them is pleasant and unforced. The
three principal actors - Tim Robbins, Rachel McAdams, and Michael Peña work to
make their alter-egos into men and women with complex personalities - flawed
people who are basically well-meaning. Their circumstances may often feel
clichéd and forced, but the characters rarely do. It isn't unpleasant to spend
two hours with these three soldiers, although it might have been more enjoyable
to spend the time getting to know them rather than force-feeding them
artificial road bumps.
The Lucky Ones is a largely
apolitical movie. It is similar in some ways to Stop-Loss, in that both films are road trips featuring soldiers
back in the United States after serving in Iraq. The impacts of the war on the
psyches of the characters are examined but, except in one brief throw-away
scene at a birthday party, its merits are not discussed. For Cheaver, Colee,
and TK, it's about doing their duty and staying alive. Bigger issues are not
their concerns. Whether the war is right
or wrong doesn't enter into their
thinking. For them, it's simple: the war exists and their #1 goal is to avoid
coming home in a body bag. By excising questions about the morality of the
situation from the narrative, The Lucky
Ones is able to focus on the characters; it accepts the war as a fact and
endeavors to show how it impacts the lives of those whose lives are touched by
it. The problems Burger encounters have nothing to do with the way he handles
the war; they relate to the unevenness with which he represents the
protagonists' journey. [Berardinelli’s rating: ** ½ out of 4 stars]
Blogger’s
comment: The film’s title comes from the fact that these three soldiers
returned from Iraq alive and relatively intact. What was interesting to me was
that none of the three really wanted to be in Iraq, or to go back. However, as
volunteer soldiers, they really had no choice. The US military is an all-volunteer
force, which means it’s isolated from and invisible to the larger civilian
population. I have always thought this was a bad idea.
Some parts of the story line are contrived (SPOILER ALERT). For instance, when Cheaver returns to his home in Kansas City, intending to stay there, he learns that his wife wants a divorce and his son has been accepted to Stanford with a half scholarship, but needs to come up with $20,000 within three weeks. The reason Cheaver signs up for another four-year enlistment is for the $20,000 signing bonus. However, it is unlikely that Stanford would require a full year's tuition up front.
Labels:
comedy, drama, war
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